- HELEN TABOR
- ANNA KNIGHTS
- FLORA BLACKETT
- FIONA STRICKLAND
- CAROLINE HEPBURNE-SCOTT
- LANA OKIRO
- CLAUDIA MASSIE
- ANN FRASER
- CLAUDIA PETRETTI
- ANDRIY YALANSKYI
- SUSIE LEE
- FRANCES BELL
- CAMILLA WATSON
- LIZZIE MCCORQUODALE
- JENNY MASON
- KERRIE MCGIBBON
- LETTIE BLACKETT
- SIMON BLACKWOOD
- CHRISTOPHER JOHNSON
- DELPHINE DE CASTELLANE
- ARTHUR BLAIR
- AMY BERNAYS
- HEATHER RAEBURN
- JULIA TROTTER
- ANDREW WHITE
- DOROTHY LAWRENSON
- KATE DONOHOE
- LUCY PARSONS
- GAEL SELLWOOD
- PHYLLIDA MEACHAM
- ROB HAIN
- DAVID HAY
- ANNA KING
- MICHAEL EWART
- MARY ANN ROGERS
- JOHN NELSON
- KATE BROOKS
- ZANNA WILSON
- CAT OUTRAM
- ANNABEL ILLINGWORTH
- KATE PHILP
- WILLIAM FOYLE
- OLIVER REED
- SUSAN MITCHELL
- ANGELA HUNTER
- MARCUS HODGE
- FIONA MILLAR
- 20TH CENTURY WORKS OF ART
JENNY MASON
Jenny was born in Belfast, Northern Ireland and now lives in Edinburgh. Her paintings have been exhibited in many galleries around Scotland including Flaubert in Edinburgh, the Paisley Museum and Art Gallery and the Aberdeen Artists' Society.
'The starting point for my work is the landscape, in particular looking out from the landscape onto large expanses of sky and sea. There is something reassuring in the endless movement of clouds in the sky and the relentlessness of the sea - whether it is a grey, drizzly day with low cloud or one with high winds and clouds rushing across the sky. It is never the same, never boring, and it takes one's attention off the cerebral and onto the visual wonderment of the world we inhabit.
In my work I seek to capture the shimmering ambiguity of light on the sea or land, to encapsulate a certain romantic atmosphere or and the feeling one gets when immersed in that landscape. The surfaces of my work are painterly and have a soft, hazy quality as I work the paint in quite a dry manner, applying glazes of colour to slowly build up a rich patination. In making image, I strive to balance expressiveness and restraint, formal qualities such as love of colour and surface, with a note of representation to the landscape in which the work was conceived'.




